India’s first and only international newspaper design site, newspaperdesign.in, is conducting a news design competition based on Rio Olympics 2016 jointly with SND 19 (Society for News Design Asia-South Pacific). There is no entry fee. Good luck and show us your best!
The ÑH competition, the most prestigious newspaper competition in Spain and Portugal, is expanding in 2016 to Latin America, becoming an intercontinental affair. With this change the ÑH expects to become bigger and stronger than ever.
Volunteer as a facilitator assisting with SND38 in February at the St. Petersburg (Fla.) Coliseum.
Winning SND’s World’s Best™ is no easy task and according to this year’s judges, “The Marshall Project has nailed every. Single. Thing.” That’s high praise. And consider this — The Marshall Project, a non-profit news organization, launched less than two years ago in late 2014. The design/product team of managing editor Gabriel Dance, director of […]
The Society for News Design announced two World’s Best-Designed™ news websites, Marshall Project and Quartz on Saturday at the #SNDSF closing gala.
The Society for News Design announced two World’s Best-Designed™ newspapers, Die Ziet and The National Post, on Saturday at the #SNDSF closing gala.
For the first time, the Society for News Design has released a digital version of The Best of News Design annual book for iPad and iPhone. Created by Douglas Okasaki, SND vice-president, the ebook is a completely new experience.
Digital design cues change every day as new ways to experience the news crowd the landscape. Time is the variable that has not changed, which makes it more precious than ever. With that in mind: What are the signposts for success? And to what standards should we aspire? Here are five that stood apart as […]
Approximately 257 entries were given an Award of Excellence, 22 were given a Silver Medal, and 2 were given a Gold Medal.
What the judges said: “This is a perfect example of breaking down a cultural phenomena in a sophisticated manner. The graphics on the side almost invent a new way of hearing, it’s all so coordinated. It took an extremely creative approach to dealing with audio. Super innovative in blending video and motion graphic that is fresh and engaging and pulls you through what is a fairly long video.”
What the judges said: “The different assets use a variety of technology, and it all has a purpose. They didn’t just do 360 video, they annotated what is in NYC. The way they approached the navigation and thought about the packages is really interesting.”
What the judges said: “The animations were focused in such a way that it gave you a sense of place. They work beautifully on mobile, and are really tightly edited.”
What the judges said: “I love it. Visually it’s incredible. It’s delightful. It’s informative. The piece was phenomenal and the animation was incredible. The visuals are more than a ten. There is nothing like this. Nobody in news is doing stop-motion like this. Technically the explanation is impressive. It’s a wonderful thing.”
What the judges said: “Unique and excellent visual journalism. It shows, it teaches, it explains. The translations were well done. The narrative arc was well-paced and the graphics were deftly integrated. NPR has set their own high bar for this type of storytelling and this project shines. Deceptively simple and seamless; it was totally immersive and poetic. It makes you lean forward and back. The experience works thoughtfully across devices and screen sizes. This caliber of storytelling requires great photography, which this delivers.”
What the judges said: “Campaign finance stories can often be dry and inaccessible but this was inviting and very compelling. The data and infographics were paced thoughtfully and pulled readers through the story.”
What the judges said: “Gentle stretch of the medium. Genuinely felt like a conversation. Fresh. Stylistic. Very nice illustrations. The pacing, storytelling and editing underscore the conversational nature. I felt like I was in the conversation. You don’t feel like the extra touches interrupt the experience. It could have been a standard op-ed essay, but it went so much further and draws you in. The white that captures the silence in the conversation is novel and heavy.”