World’s Best winners in print and digital honored at SND41 opening reception

CHICAGO — The Society for News Design on Thursday announced three World’s Best-Designed™ Newspapers — La Nación (Argentina), The Sunday Times (United Kingdom) and The New York Times (United States) — and one World’s Best-Designed™ winner from the digital design competition — Reuters — at the opening reception of its 41st annual workshop, which convened at the Chicago Cultural Center.

World’s Best-Designed™ Newspapers: Judges’ statement

Judges: Steve Dorsey (Gatehouse Media), Javier Errea (Errea Comunicación), Bill Gaspard (China Daily), Suzette Moyer (The Washington Post) and Shazna Nessa (Wall Street Journal)

Finalists: La Nación (Argentina), Politico Europe (Belgium), Die Zeit (Germany), La Repubblica (Italy), El Comercio (Italy), The Guardian (United Kingdom), The Sunday Times (United Kingdom), Memphis Business Journal (United States), The New York Times (United States) and The Villages Daily Sun (United States).

Our first task at hand was to define a shared vision and framework for reviewing all the entries in this category. We agreed that we would look for consistency, surprise, substance, variety, great journalism, excellent design — and very importantly — we would consider the extent to which a publication focused on the needs of its readers and community.

We were adamant that we weren’t just looking at aesthetics, but at the wonderful symphony of journalism that is created by combining text, design, photography, graphics and illustration.

We had the privilege of reviewing more than 100 entries from all over the world. One thing was clear to us during this process — despite the headwinds in our industry the work we saw was vibrant, thoughtful and deeply committed to design and visual journalism. In some cases, we were delighted by innovations that created new standards for print design.

From thereon we used different techniques and much discussion to move through the process of whittling down to our final selection. This was difficult. Sad groans were audible when a publication was taken off the table, as was mirth and applause when a publication made it through to the next round.

We paid close attention to publications that challenged and inspired our industry to reach for new solutions. An example of this is The Villages Daily Sun, which is dedicated to serving a small community with a very local flavor. Another example is Politico Europe, which successfully transformed a maze of wonky politics into a lush and inviting experience using bold illustrations and photography.

This process was not an easy task. While we shared many different opinions it was important to us that all final selections were unanimous. In the end, we are delighted to have a robust group of finalists that span different types of organizations globally, from local to national, as well as niche audiences.

Lastly, we regret that many publications that entered SND’s Creative Competition did not submit an entry in this mandatory and free category. We urge future entrants to raise their hands and be represented. We also took note of the organizations that took time and care to strategically enter the very best combination of work and samples allowed by the rules. We applaud their effort.

La Nación

From the judges: La Nación’s design is simple, quiet, inviting and respectful, with a focus on news pages over splashy features. Its design is fueled by the neatness and sophistication of the presentations, from the surprising use of humorous illustrations, photography, detailed fact boxes and masterful control of white space.

The Sunday Times

From the judges: This energetic newspaper runs straight into your bloodstream with a loudness that is exciting and vibrant. The design is driven by large typography, photography, and bold double trucks. The Graphik Condensed/Extra Condensed all caps headlines are deftly integrated with visuals throughout the publication.

The New York Times

From the judges: The New York Times is brighter and more daring than before. What once was a collection of strong individual pieces has transformed into a unified powerhouse of rich offerings. The staff continues its dedication to photography and doubles down with consistently smart illustrations and graphics.

World’s Best-Designed™ Digital: Judges’ statement

Judges: Jason Chui (Globe and Mail), Hannah Fairfield (The New York Times), Simon Scarr (Reuters) and Shazna Nessa (Wall Street Journal)

Finalists: The Globe and Mail (Canada), The Lily (United States), The Marshall Project (United States), The New York Times (United States), The Pudding (United States), Reuters (United States)

This year we saw more publications employ audience-first thinking and narrow their coverage and presentation approach to serve the reader/user first. These deep dives on particular topics, story forms, and coverage areas by outfits like Axios, The Lily, Pudding, The Intercept and The Marshall Project illustrate how audience insight can guide presentation and ultimately produce a more unified creative voice.

There was also a growth in visuals as a primary source in reporting in the video and interactive longreads space. The work in visual forensics by The New York Times and Reuters reveal how diving deeper into everything visual can not only support reporting, but propel it and form the backbone of the journalism. The work these organizations did with CCTV, social media, 3D graphics recreation, satellite imagery, and ballistics trajectory elevate the work of visual journalists around the world and stand as an example of the endless potential of our industry.

Longform storytelling driven by compelling photography, new approaches in cartography, subtle animation, and a keen eye on editing by all the finalists made them stand apart in the industry. Publications like The Globe and Mail and Reuters showed incredible range and ability in their storytelling, but also how precise editing (through form and function) yielded experience of incredible finesse.

The finalists this year serve as industry role models for their use of technology, their disciplined visual editing, and gorgeous visual presentations. The continued growth in new visual forms of newsgathering will continue to challenge us all, as well uber-focused, audience-driven publications and stories.

Reuters

From the judges: Consistent interactive story formats and deep graphics-based stories are the backbone of Reuters’s disciplined presentation and visual storytelling. Superb editing (particularly in photojournalism and graphics) paired with creative news gathering (use of social media, satellite imagery, and 3D rendering) elevated their designs. Reuters’s use of visual reporting to report, tell and advance stories is an approach to journalism more of us can emulate and call our own.

Tina Fey is an extraordinary woman with drive, ambition,
a sense of humor, and she looks great too! She really proves that you CAN understand all.
Her new book, BossyPants, will make you laugh, cry, and you’ll find a new best
family member. As you turn the pages of this phenomenal
book, you’ll be attracted to Tina herself. We’ve shared experiences, frustrations, and victories
as well as those occasional moments of self doubt. It’s amazing how reading her book feels just like a pajama party with your oldest and dearest boyfriend / girlfriend.

Memorable Song Moment: At the conclusion of The Breakfast Club when Bender is walking on the field across from university with the song playing in the history.
The fist pump freeze frame should make it perfect. Those guys
from Jersey Shore ain’t got nothin’ on that fist pump.

Nitty id test game live22 Gritty made a cameo appearance in the musical western film Paint Your Wagon”.
They performed “Hand Me Down That Can o’ Beans”.
They also played Carnegie Hall, opening for Bill
Cosby.

I to become in 1975. Saturday Night Live first hit the
air in October of that year. One time i was aged sneaking the particular my bedtime.
I’d sit in the hall way and listen to my father laughing in the show.
I couldn’t wait till I was old enough to watch it.

I Ran by Flock of Seagulls. I the brand new first time I heard this intro.

I was hooked for leastwise a week, and which was in 2005.

Can you imagine how the song felt back when it started
finding a generous quantity of airtime on MTV in 1982?
Just was it featured around commercial for Rockstar’s hit video game Grand Theft Auto: Vice City, this song helped spawn the music giant ended up being
MTV. I believe that was because MTV’s music video playing days
are far lost. ‘Tis a disgrace.

Mussachio, a good time guidance counselor,
hunting to position himself for a big fight and a win over Thompson could
land him unique. Mussachio rebounded from a tough loss to world
rated Garrett Wilson, a fight which was very close when he
was stopped in the 12th round, to defeat Billy Bailey in May of next year.
With a career plagued by inactivity & with father time catching up,
Mussachio must looked to impressively dispatch belonging to the the tough Thompson.

As reported in PopEater, Patrick Swayze continued perform despite his cancer.
Huge ability the shows he done was The Beast.
Swayze refused to medication to combat the pain while he worked over a
Beast, organic food that is allow discomfort to enhance his
identity.

Memorable Song Moment: The main video, just every bit of it.
But aside from harping quantity of on the video, the
“breakdown” about 2:00 in the song is very intriguing. Need love the game. http://Www.gudrunart.com/ardguest.php