Last October, Roger Black and Poynter brought five well-known designers to New York City to rapid-prototype the future of news design. Now they’re gearing up for Phase II of this Design Challenge.
To Enter: http://digital.snd.org/ Deadline: Wednesday, January 25 at 11:59 EST. Judging: Will take place February 24-26. Follow along: We’ll be using the hashtag #SNDDigital Past Winners: http://www.snd.org/bodd/ The Society for News Design is pleased to announce its 15th annual Best of Digital Design competition. The official entry site is now receiving entries. Excellence in digital […]
Today Knight Foundation is announcing $200,000 in new support for the Society for News Design. The official press release is below. SND is extremely grateful for the support and the opportunity to work with Knight. This is the largest grant in SND history. A huge thank-you to board members Kyle Ellis and Tyson Evans for […]
For Spanish, click here Five publications have been awarded top prizes in the ÑH2016 competition, recognizing the Best of Journalistic Design in Spain, Portugal and Latin America: * La Nación (Buenos Aires, Argentina) was named best national newspaper; * Las Provincias (Valencia, Spain), best local or regional newspaper; * Nuestro Diario (Guatemala, Guatemala), the best […]
Two hundred fifteen members (up from 163 last year) cast votes in this year’s elections for secretary-treasurer, vice president and president. Write-in votes are allowed and recorded in the results below. The final election results are:
SND’s Region 19 — covering Asia and the South Pacific, including India, Australia, Japan, Indonesia and Southeast Asia — recently put out a call for the best pages covering the Rio de Janeiro Olympic Games. Entries came in from all over the globe.
Niklas Marienhagen, a student at the University of Applied Sciences in Augsburg, Germany, is the winner of the 2016 SND Foundation Scholarship. Marienhagen, chosen by a panel of five judges, will receive a $2,000 cash award. Marienhagen’s portfolio focuses heavily on infographics and illustration, and he credits two longtime and very active SND members — […]
When Ole Munk was called in to redesign and help launch several new pages at Kristeligt Dagblad, he wanted to tread lightly: “The degree of change is small and that is on purpose,” he says.
India’s first and only international newspaper design site, newspaperdesign.in, is conducting a news design competition based on Rio Olympics 2016 jointly with SND 19 (Society for News Design Asia-South Pacific). There is no entry fee. Good luck and show us your best!
The failed coup against Turkish President Recep Tayyip Erdogan in July left more than 270 people dead and resulted in a government crackdown against journalists, among others.
The ÑH competition, the most prestigious newspaper competition in Spain and Portugal, is expanding in 2016 to Latin America, becoming an intercontinental affair. With this change the ÑH expects to become bigger and stronger than ever.
The Society for News Design is seeking nominations for the office of Secretary/Treasurer for 2017. This is an open-ballot position: anyone who is nominated, meets the requirements of the position and chooses to run will appear on the ballot.
As you may have heard, the London-based Independent and Independent on Sunday ceased its print publications in March after a 30-year run, ending an era of print design excellence. With its passing, I asked a few of the designers there to share their favorite Independent pages.
What the judges said: “I love it. Visually it’s incredible. It’s delightful. It’s informative. The piece was phenomenal and the animation was incredible. The visuals are more than a ten. There is nothing like this. Nobody in news is doing stop-motion like this. Technically the explanation is impressive. It’s a wonderful thing.”
What the judges said: “Unique and excellent visual journalism. It shows, it teaches, it explains. The translations were well done. The narrative arc was well-paced and the graphics were deftly integrated. NPR has set their own high bar for this type of storytelling and this project shines. Deceptively simple and seamless; it was totally immersive and poetic. It makes you lean forward and back. The experience works thoughtfully across devices and screen sizes. This caliber of storytelling requires great photography, which this delivers.”
What the judges said: “Campaign finance stories can often be dry and inaccessible but this was inviting and very compelling. The data and infographics were paced thoughtfully and pulled readers through the story.”